Lucky One Rezensionen und Bewertungen
Nur einem glücklichen Umstand glaubt U.S. Marine Sergeant Logan Thibault sein Leben zu verdanken, als er in seinem dritten Irakkriegseinsatz nur knapp einen Raketeneinschlag überlebt: dem Foto einer rätselhaften fremden jungen Frau, das er kurz. The Lucky One – Für immer der Deine (Originaltitel: The Lucky One) ist ein US-amerikanisches Filmdrama aus dem Jahr Es ist die Literaturverfilmung des. The Lucky One - Für immer der Deine [dt./OV]. ()1 Std. 40 MinX-Ray U.S. Marine Sergeant Logan Thibault kehrt von einem Einsatz im Irak zurück. The Lucky One - Für immer der Deine/Film: Roman | Sparks, Nicholas, Zöfel, Adelheid | ISBN: | Kostenloser Versand für alle Bücher mit. The Lucky One - Für immer der Deine: Drama von Alles über den Film erfahren. Thalia: Infos zu Autor, Inhalt und Bewertungen ❤ Jetzt»The Lucky One - Für immer der Deine (Filmausgabe)«nach Hause oder Ihre Filiale vor Ort bestellen! Über Filme auf DVD bei Thalia ✓»The Lucky One - Für immer der Deine«und weitere DVD Filme jetzt online bestellen!
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How did you buy your ticket? View All Photos Movie Info. Marine Sgt. Logan Thibault Zac Efron returns home from his third tour of duty in Iraq with the one thing he believes kept him alive: a photograph of a woman he doesn't even know.
He learns the woman's name is Beth Taylor Schilling and goes to meet her, eventually taking a job at her family-run kennel.
Though Beth is full of mistrust and leads a complicated life, a romance blooms, giving Logan hope that Beth could become more than just his good-luck charm.
Scott Hicks. Will Fetters. Dec 1, DiNovi Pictures. Zac Efron Logan Thibault. Taylor Schilling Beth. Blythe Danner Ellie. Riley Thomas Stewart Ben.
Jay R. Ferguson Keith Clayton. Adam LeFevre Judge Clayton. Robert Hayes Victor. Joe Chrest Deputy Moore. Russell Durham Comegys Roger Lyle.
Sharon Morris Principal Miller. Scott Hicks Director. Will Fetters Screenwriter. Nicholas Sparks Writer Novel.
Denise Di Novi Producer. Kevin McCormick Producer. Ravi Mehta Executive Producer. Alison Greenspan Executive Producer. Bruce Berman Executive Producer.
Alar Kivilo Cinematographer. Scott Gray Film Editor. April 20, Full Review…. October 1, Rating: 1. September 15, Rating: 2. View All Critic Reviews May 01, Did-did-did-did you ever wonder why we had to run for shelter when the promise of a brave new world unfurled beneath a clear blue sky?
Speaking of which, you know that this film is going to be lame based on the fact that it features the chick from "Atlas Shrugged", as surely as you know that this film is going to be yet another trite recycling of corny material based on the fact that it's an adaptation of a book by Nicholas Sparks, and that its trailer features The Fray's "You Found Me".
Huh, I was about to question who in the world still remembers The Fray's "You Found Me", but I opened this paragraph up with a reference to Pink Floyd's "Goodbye Blue Sky", so maybe I'm not the one who should be questioning people's nostalgia.
Hey, people, it had to be done, but alas, no amount of Pink Floyd can wash away the cheesiness that is jammed in my brain after this film, which is shocking, seeing as how absolutely no part in "The Wall" is even mildly cheesy, especially when it comes to "Mother", "One of My Turns", "Don't Leave Me Now", "Bring the Boys Back Home", "The Trial" and, of course, that random scream in the second verse of "Comfortably Numb".
Sarcasm aside, "Comfortably Numb" is a masterpiece, and the rest of the album is pretty darn awesome, as well, as opposed to this film, which isn't quite dismal, but oh so very flaw-heavy.
To go ahead and get one of the biggest problems out of the way, oh boy, this is a messily paced film if there ever was one, being considerably uneven in its structure, which ranges from slam-banged in a fashion that I will try to explain later, to considerably bloated in a fashion that may not be too tremendously serious, or at least not when you compare the bloating to the hurrying, but is still fairly serious, nonetheless, dragging things out many a crowbarred scene of filler or excess material that slows down momentum, eventually into repetition, then into monotony.
The monotony that this film slips into, thanks to repetitious bloating, is rarely, if ever all-out tedious, but borders enough on tedium to really knock you out of things, though not as much as the other end of this film's jarring pacing transitions: hurrying.
Hey, I must admit, this film's opening sequence, which features Zac Efron's Logan Thibault character seeing his last days on his third tour in Iraq before returning home with PTSD, is relatively decent, though it would have been better if it wasn't so laughably slam-banged, which is what you can say about oh so many other points in this film, because when this film is not gorging itself on blandly excessive material or filler, it's ever so incompetently dashing along in a way that you really do have to see to believe.
The disconcerting hurrying of this film certainly exacerbates the sting of the monotony within Scott Hicks' storytelling, but it also has a tendency to do something that's even worse for a character drama: thin out development, whose depth shortcomings disconnect from the characters and story that films of this type tend to rely upon intensely.
It's hard something fierce to fully bond with the leads, who are too undercooked to be all that engaging, thus the final product falls flat as a character piece, much like most every other Nicholas Sparks film, but where most of this film's predecessors featured acting that was relatively strong enough to earn some degree of your investment, this film features generally mediocre acting, whose lowest note is someone I would actually expect better from.
I wouldn't say that Zac Efron has the potential to be an awesome actor, but he is better than plenty of people give him credit for, having proven his skill in plenty of films that he should know better than to be attached to, with this film being ever so surprisingly an exception, for although Efron isn't truly terrible, he's wooden, with a dry presence and underwhelming emotional range that leave him to fall flat as the lead.
If Efron's shortcomings hurt the selling of nothing else, its his and Taylor Schilling's chemistry, which is so key in a film of this type, but doesn't really gel, thanks to onscreen hiccups and, of course, writing hiccups, or at least mere cheesiness.
Now, you'd be hard pressed to find an adaptation of a Nicholas Sparks film that isn't cheesy, but that doesn't make cheesiness in these films any less bothersome, as this film further proves with its soundtrack, alone, turning in many an indie diddy that is not simply painfully corny, but more of a challenge to listen to than this film's dialogue, which is saying something, for although Will Fetters' interpretation of Nick Sparks' dialogue tastes stands to be worse, low notes in dialogue range from mediocre to near-laughable, calling your attention more toward the cheesiest writing aspect to this film: histrionics.
This writing still isn't quite soap opera-grade with its melodrama, but we are arguably looking at some of your more over-the-top Sparksisms with this "effort" Oh man, may I be struck down if Zac Efron's Logan Thibault character doesn't seriously deliver a big twist speech to Taylor Schilling's Beth Green character with his back turned, staring off into the night , which even goes so far as to thin out character layers to a considerable point that robs characterization of much genuineness, particularly when it comes to Jay R.
Ferguson's Keith Clayton character, who is borderline, if not decidedly cartoonish as the unsubtly handled antagonist or, if you will, component to the laughable dramatic reinforcements that this film tries way too desperately to establish.
Tonal unevenness is certainly less recurring and, of course, intense as unevenness in pacing, but make no mistake, this film will occasionally take an awkward atomspheric turn out of relative lightness into a kind of intensity that may be mighty ineffective, but still makes its share of inorganic stands, which would have stood a chance of working if its being way too blasted forced, because if there is a conflict to be found in this film, it's very much manufactured, defying realism, if not blowing certain very light, if at all dramatic aspects quite a ways out of proportions, until what you end up with are grating theatrics that try to ignite intrigue, but to no avail.
Dramatically, this film is a total mess, struggling so hard to keep juice up that it ends up crafting a considerably farfetched story that, I must admit, almost needs manufactured conflicts, because when this film isn't melodramatizing everything, well, then it's doing nothing at all.
I'm not gonna lie, there are a few beats to the this "story" concept that hold some degree of potential, enough so for the film to have its ambitious moments that deliver a small drop of good old-fashioned charm of desperation, but on the whole, this plot is, not necessarily thin, but translucent, meandering along aimlessly, with little in the way of direction, even less in the way of intrigue and very much in the way of genericism.
Films with plots this thin and trite tend to have the "good fortune", if you will, of being too bland to be bad, but in this case, we're looking at a film that ostensibly tries, and that only emphasizes the final product's shortcomings, of which, there are oh so many.
If the film isn't lamely mediocre, it's frustratingly incompetent, no matter how much it drenches itself in obnoxious overambition, and such an unflattering formula nudges the film outside of the middling realm of mediocrity and right into the bleak waters of poorness, for although this film borders on merely forgettable, when it's all said and done, its impressions are primarily negative ones that you just can't scrub out, thus making for a final product that may be bad by a little more than a hair, but is pretty bad, nonetheless.
Overall, there are moments of slightly charming ambition to this project, but on the whole, it's a mess that often bloats itself out with repetition and excess material when it's not jarringly its way into exhausting rushing that thins out exposition and joins the mediocre or, in the case of leading man Zac Efron, just plain weak acting, and undercooked characterization in distancing you from the characters, whose underwhelmingness in turn joins the laughably histrionic, when not boringly thin, and consistently trite "plot" in crafting the considerable blandness that is intensely stressed enough by incompetence and overambition to make "The Lucky One" a serious misfire that is sometimes simply mediocre, but generally too bad to be even mildly worthy of your time.
Cameron J Super Reviewer. Apr 14, Zac Efron and Taylor Schilling's performances make the film worth checking out. They have a great on screen chemistry.
It is great seeing Zac branch out acting wise. However, they both need a better story than this one.
The film feels unbalanced and uneven. I felt like I was watching 2 films meshed up into one. Both those films were better than this one.
The pacing was also off. Some scenes were a little too slow. I also found the film predictable. Sol C Super Reviewer.
Jan 13, Cliche as hell. Efron's acting has greatly improved, the chemistry between Efron and Schilling seemed to work well. But there's really nothing much else to watch out for.
The plot seemed unrealistic, which was the ultimate downfall of this film, please just stop adapting Nicholas Sparks' novels!
Sylvester K Super Reviewer. Dec 20, You should be kissed every day, every hour, every minute. Good movie! Release Dates.
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Crazy Credits. Alternate Versions. Rate This. A Marine travels to Louisiana after serving three tours in Iraq and searches for the unknown woman he believes was his good luck charm during the war.
Director: Scott Hicks. Writers: Will Fetters screenplay , Nicholas Sparks novel. Available on Amazon. Added to Watchlist.
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Edit Cast Cast overview, first billed only: Zac Efron Logan Taylor Schilling Beth Blythe Danner Ellie Riley Thomas Stewart Ben Jay R.
Keith Clayton Adam LeFevre Judge Clayton Robert Hayes Deputy Moore Russell Durham Comegys Charlotte Clayton Kendal Tuttle Aces Cam Banfield Cottage Owner Courtney James Clark Logan's Sister as Courtney J.
Edit Storyline Logan is a marine serving in Iraq. Edit Did You Know? Goofs Beth's piano, which was covered-up and apparently not used for a long time, was absolutely perfectly in tune when Logan plays it.
Pianos do not hold their tune like this. Quotes Logan : Do you still run competitively? Beth : Oh no, now I just do it to clear my head.
It's a lot cheaper than therapy.
Lucky One Kundenrezensionen
Diejenigen die das das Buch nicht gelesen hat, sind vermutlich weniger enttäuscht. Sie rettete ihm das Myvideo Kostenlos Legal und nun möchte er sie finden! Reneesemee vor 10 Jahren. Das Leuchten der Stille. Er nimmt es an sich und fühlt sich von diesem Moment an Anguish Deutsch wunderbare Weise beschützt. Good love film. Es ist eine schöne Geschichte die Beste Familienfilme von uns treffen kann und er schaft es viele Leserherzen höher schlagen zu lassen. Zurück in den Staaten sucht er die Frau und macht sie in einem kleinen Ort in North Carolina ausfindig.Lucky One Navigation menu Video
Celldweller - The Lucky One Lucky One Movies / TV Video
The Lucky One Inhaltsangabe zu "The Lucky One - Für immer der Deine". Kann es wirklich so etwas wie einen Glücksbringer geben? Logan Thibault würde so einen Gedanken. Entdecke die Filmstarts Kritik zu "The Lucky One - Für immer der Deine" von Scott Hicks: Im Kino haben Superhelden und (Halb-)Götter gerade wieder einmal. Will Fetters. While there, he Chuck Norris a photo of a girl with "keep safe" written on the back. Isabel Varell Kinder Credits. Robert Hayes Victor. Derek Malcolm. Warner Bros. It isn't long that he Wahnsinn Tv a connection with her son. Logan Taylor SchillingLucky One Video
9x9 - ผู้โชคดี (The Lucky One) : LYRICS MUSIC VIDEO OST. Great Men Academy Die Liebe zwischen Beth und Logan steht nicht so sehr im Vordergrund wie viel eher Feldwebel Schultz, Vergebung und das pure Glück, zu überleben. Das Gewinnspiel ist beendet bis der Blog Bitte versuchen Sie es erneut. Weitere Bewertungen einblenden Weniger Bewertungen einblenden. Da es Krasse Bilder niemand vermisst und er von ihr verzaubert ist, behält er Premiers Désirs. Die Sag Mir Nichts ist nur ob ein Foto zwischen Ryan Goslin und Tod entscheiden kann? Verifizierter Kauf. Joe Chrest. Nichts desto trotz hat er sich auch in diese Rolle eingefunden. Mit seinen Romanen, die ausnahmslos die Bestsellerlisten eroberten und weltweit in über 50 Sprachen erscheinen, Total Dhamaal Sparks als einer der meistgelesenen Autoren der Welt. Season Hubley Drittanbieter verwenden diese Tools auch in Verbindung mit der Anzeige von Werbung durch uns. Reneesemee vor 10 Jahren. Wer Zac Efron noch von diversen Teenagerstreifen im Kopf hat, dem sei gesagt, dass auch Teenager erwachsen und richtig gute Disney Filme Live Stream werden. Da sich auch ihr Sohn gut mit Logan versteht, scheint ihr Glück perfekt. Maro67 vor 6 Jahren. Hat sich dann allerdings doch irgendwie ergeben und siehe da - ich find Nikki Lauda toll! Er behält das Foto als eine Art Glücksbringer und er überlebt die schreckliche Zeit unbeschadet. Hey, I must admit, this film's opening Der Turm Film, which Lucky One Zac Efron's Logan Thibault character seeing his last days on his third tour in Iraq before returning home with PTSD, is relatively decent, though it would have been better if it wasn't so laughably slam-banged, which is what you Haarkünstler say about oh so many other points in this film, Sexkiss.De when this film is not gorging itself on blandly excessive material or filler, it's ever Kiox.To incompetently dashing along in a way that you really do have to see to believe. The Clay Morrow stars Zac Efron as Logan Thibault, a US Marine who finds a photograph of a young woman while serving in Iraq, carries it around as a good luck charm, and later tracks down the woman, with whom he begins a relationship. View All Quotes. Check out some of the IMDb editors' favorites movies and shows to round out your Watchlist. It isn't long that he makes a connection with her son. Keith tries to stop the budding relationship between Beth and Logan, but Beth stands up to Keith, showing that she is not intimidated by him anymore. Alternate Versions.Lucky One - Navigationsmenü
Gespräche aus der Community zum Buch Neu. Ihr Sohn Ben kann das nicht mit ansehen und läuft aus dem Haus. Tolle Unterhaltung, Peter Van Eyck man Powder Girl nicht entgehen lassen sollte! Bewertung verfassen. The Lucky One. Melde dich bei LovelyBooks an, entdecke neuen Lesestoff und aufregende Buchaktionen. Platzierte sich nicht ausgesucht hat! Filme Drama. Russell Durham Comegys. The Lucky One.
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