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Julia Steffen Collection:. MyHeritage Family Trees. Casey Web Site. Fred Wagner. View the Record. Stöhr Web Site. Rebekka Stöhr. Julia Christina Fromhold born Steffen Collection:.

Halvorsen Family Tree Web Site. Lorie McAnarney. Halvorsen-Parison Web Site. Julia Christina Fromhold Collection:. Cool Web Site.

Karen Cool. Steffen, Joseph M. Julia Christina Steffen Collection:. Hosinski Family Tree. Vanessa Bell also based her portrait The Red Dress see image on the same photograph.

In describing it, he wrote "when I look at certain little photographs - at one on which I am reading by her side at St Ives with Virginia The memoir Mausoleum Book remained known only to the family till published in Florence Henrietta Fisher — who married Frederic William Maitland — in , who wrote the biography of Leslie Stephen [] and 2.

Books and theses [ edit ] Burstyn, Joan N. Victorian Education and the Ideal of Womanhood. Photography and Literature in the Twentieth Century.

Cambridge Scholars Press. Aging and Identity: A Humanities Perspective. Greenwood Publishing Group. Ender, Evelyne Architexts of Memory: Literature, Science, and Autobiography.

University of Michigan Press. Hirsch, Marianne Indiana University Press. Cultural Icons and Cultural Leadership. Edward Elgar Publishing.

Llewellyn-Jones, Rosie London: Francesca Galloway. Rosner, Victoria Modernism and the Architecture of Private Life.

Columbia University Press. Sheppard, FHW, ed. Survey of London. South Kensington Museums Area. Scarecrow Press. Powell, Tristram ed. Digital edition Cameron, Julia Margaret [].

For my best beloved sister, Mia: an album of photographs by Julia Margaret Cameron. Cox, Julian; Ford, Colin Getty Publications. Olsen, Victoria Palgrave Macmillan.

Wolf, Sylvia, ed. Julia Margaret Cameron's Women. Art Institute of Chicago. Victorian Studies. AMS Press. Leslie Stephen: the Godless Victorian.

Random House. Bicknell, John W, ed. Selected Letters of Leslie Stephen: Volume 1. Basingstoke: Macmillan. Selected Letters of Leslie Stephen: Volume 2.

Ohio State University Press. Broughton, Trev Lynn Men of Letters, Writing Lives. Fenwick, Gillian Leslie Stephen's life in letters: a bibliographical study.

Scolar Press. John W. CUP Archive. The life and letters of Leslie Stephen. Retrieved 2 January Stephen, Leslie []. Bell, Alan S ed.

Sir Leslie Stephen's Mausoleum Book. Clarendon Press. Dictionary of National Biography. Marler, Regina ed. The Selected Letters of Vanessa Bell.

Pantheon Books. Marler, Regina. Biographical introduction. Dejardin, Ian AC, ed. Vanessa Bell. Philip Wilson Publishers.

Field, Claudia Louise Focusing the lens: the role of travel and photography in the personal and working lives of Vanessa Bell and Duncan Grant PhD thesis.

Department of Art History, University of Sussex. Spalding, Frances Vanessa Bell: Portrait of the Bloomsbury Artist. Virginia Woolf and Bloomsbury [ edit ] Acheson, James, ed.

Virginia Woolf. Bell, Quentin Virginia Woolf: A Biography. Harcourt Brace Jovanovich. Black, Naomi Virginia Woolf as Feminist.

Cornell University Press. Bond, Alma Halbert Who Killed Virginia Woolf? Insight Books Human Sciences. Poole, Roger Boyd, Elizabeth French Bloomsbury heritage, their mothers and their aunts.

New York: Taplinger Publishing Company. Briggs, Julia Virginia Woolf: An Inner Life. Bloomsbury and France: Art and Friends.

Oxford University Press. Curtis, Vanessa Virginia Woolf's Women. University of Wisconsin Press. Dell, Marion Palgrave Macmillan UK.

Women's Press. Beattie, L. Elisabeth 23 July New York Times Review. Forrester, Viviane Virginia Woolf: A Portrait. Goldman, Jane The Cambridge Introduction to Virginia Woolf.

Cambridge University Press. Gordon, Lyndall Virginia Woolf: A Writer's Life. Holtby, Winifred []. Virginia Woolf: A Critical Memoir.

Bloomsbury Academic. Curtis, Vanessa 14 January The Independent Review. Humm, Maggie Rutgers University Press. Edinburgh Companion to Virginia Woolf and the Arts.

Edinburgh University Press. Lee, Hermione Vintage Books. Amberley Publishing Limited. Light, Alison Penguin Books Limited.

Messud, Claire 17 October Retrieved 20 January Lilienfeld, Jane []. Palgrave Macmillan US. Marcus, Jane , ed. New Feminist Essays on Virginia Woolf.

Nadel, Ira Reaktion Books. Reid, Panthea Rosenman, Ellen Bayuk Louisiana State University Press. Caramagno, Thomas C.

Modern Philology Review. Rosner, Victoria, ed. The Cambridge Companion to the Bloomsbury Group. Simpson, Kathryn Woolf: A Guide for the Perplexed.

Bloomsbury Publishing. Snaith, Anna, ed. Palgrave Advances in Virginia Woolf Studies. Squier, Susan Merrill University of North Carolina Press.

Stape, John Henry Virginia Woolf: Interviews and Recollections. University of Iowa Press. Wilson, Jean Moorcroft Tauris Parke Paperbacks.

Virginia Woolf: Three Centenary Celebrations. Universidade do Porto. Virginia Woolf and the Real World. University of California Press.

Middleton, Victoria Rocky Mountain Review of Language and Literature. Pearce, Richard Autumn Novel: A Forum on Fiction Review.

Works by Virginia Woolf [ edit ] Woolf, Virginia []. A Room of One's Own. Read Books Limited. Schulkind, Jeanne ed. Moments of being: unpublished autobiographical writings 2nd ed.

Preface to the Second Edition. A Sketch of the Past. Woolf, Virginia Professions for Women. Three Guineas.

To the Lighthouse. Collector's Library. Delphi Classics. Library of University of Adelaide. Retrieved 14 February Bradshaw, David ed.

Selected Essays. Woolf, Virginia — Nicolson, Nigel ; Banks, Joanne Trautmann eds. The Letters of Virginia Woolf 6 vols. New York: Harcourt Brace Jovanovich.

The Letters of Virginia Woolf: Volume 3 Bell, Anne Oliver ed. The Diary of Virginia Woolf 5 vols. Houghton Mifflin. Biography other [ edit ] Bell, Quentin Elders and Betters.

Bennett, Mary Who was Dr Jackson? Vogeler, Martha S. Who Was Dr. Two Calcutta Families: — ISBN ". Albion Review. Burke, Bernard London: Harrison.

Deceived With Kindness. Anne Thackeray Ritchie: a biography.

Roland Geeraedts Head of Finance. Olena Melashchenko Tech Lead — Engineering. Gerardo Bonilla Senior Product Manager. Florian Linz Operations Manager.

Tony Cotzias Supply Analyst. Evan Derian Online Sales Lead. Leopold von Schultzendorff Product Manager. Enrico Semrau Head of Quality Assurance.

Anastasia Kotliar Full Stack Developer. Julia Hille Finance Director. Khizir Putcygov Full Stack Developer. Our Board of Directors provides invaluable expertise from decades of leading global businesses and hands-on investing in private equity.

Steffen Pauls Founder and Chairman. Alexander Argyros Co-founder. We are backed by an outstanding group of leading professionals from the broader PE ecosystem.

Steffen founded Moonfare in with the vision to democratize private investing. He runs the company as Chairman and CEO.

Steffen is a serial entrepreneur with a strong background in the Private Equity industry. Steffen holds a B. Steffen lives in Munich with his wife and children.

Yuri brings top tier digital sales and marketing expertise from Unilever and Google, where he was head of its Greater China business. Prior to Moonfare he was responsible for N26's product until it reached unicorn status and most recently worked as a contractor with startup veterans in San Francisco, which equip him with a lot of FinTech experience.

Prior to his startup days Lorenz worked for 12 years at McKinsey — six of those years as a partner. Lorenz is a physicist by training and holds a PhD in material science.

In his free time he plays blues guitar and is a passionate amateur road cyclist. Magnus runs Private Equity for Moonfare, ensuring that our investors have access to a steady flow of top-tier private equity funds.

While at Apax Partners, Magnus advised on a number of transactions in the consumer and retail industry. At Cole Haan, a high-end manufacturer and retailer of footwear and leather goods based in New York, Magnus was responsible for building and executing corporate strategy.

Prior to joining Apax Partners, Magnus spent several years at J. Morgan in London advising on Consumer, Healthcare and Retail transactions. In his free time Magnus practices his passions of sports, cooking and photography.

Mathieu is currently Head of Asia Pacific at Moonfare. He was initially in charge of developing the structured equity offering for corporates and strategic shareholders.

Prior to that, he held a similar position at Merrill Lynch. Antonia Piersanti. She joined in December after 8 years in London, where she most recently worked as a Senior Team Leader at GLG - the world's leading platform connecting business to expert insight.

There she was managing a team of client-facing professionals working with private equity funds based in France, Italy and the Benelux.

Prior to GLG, she held various commercial and key account management roles in financial services, including at Euromoney Institutional Investor.

She is an avid reader, podcast listener and traveller, which she loves to combine with her passion for food. Umut Koseali.

Prior to working at Moonfare, Umut worked at various multinational companies including Microsoft and Delivery Hero.

Thus, he brings considerable technical expertise. Currently, he is located in Berlin and he is a devoted drone and skateboard enthusiast.

Umut spends his free time riding and building electric skateboards. Also, he is always on the hunt to discover the best food in the town. Over his career, Jens-Christian advised on a number of transactions in the chemical, industrial products and technology industry.

In his free time Jens-Christian practices his passions for bonsai trees and sports. Dimitri joined Moonfare in July , taking the lead on the Business Development efforts of the company.

He started his career at J. While at J. The Stephens entertained many visitors at their London home and their summer residence at St Ives, Cornwall.

Eventually the demands on her both at home and outside the home started to take their toll. Julia Stephen died at her home following an episode of rheumatic fever in , at the age of 49, when her youngest child was only The writer, Virginia Woolf, provides a number of insights into the domestic life of the Stephens in both her autobiographical and fictional work.

They spoke Hindustani among themselves, and were a sensation on their visits to London and Paris. Julia's two older sisters were sent to England for reasons of health in [11] [8] [9] to stay with her mother's sister Sarah Monckton Pattle and her husband Henry Prinsep , who had recently leased Little Holland House in Kensington.

Julia and her mother joined them in when Julia was two. Julia's sisters, Mary and Adeline were married shortly after.

Adeline married Henry Vaughan "Harry" in [e] and Mary married Herbert Fisher in , [f] [14] leaving Julia as her mother's companion and caretaker.

On one of these, where they visited her sister now Mary Fisher. There she would meet the agnostic biographer Leslie Stephen — later that year, shortly before his engagement to Minny Thackeray.

Stephen eventually became her second husband. The Pattle sisters and their families see Pattle family tree provided important connections for Julia and her mother.

As Quentin Bell , Julia's grandson, described it, they had "a certain awareness of social possibilities". One of the Prinsep's sons, another of Julia's many cousins, was the artist, Valentine Cameron Prinsep — Another maternal aunt , and also her godmother , Julia Margaret Pattle Julia Margaret Cameron — , was a celebrated photographer, who took many photographs of her niece, and created a photograph album for her sister, Maria in the Mia Album.

Sarah Prinsep, and her sisters, were adept at making great men feel at ease, and they frequented her house. There one might find Disraeli , Carlyle , Tennyson and Rossetti taking tea and playing croquet , while the painter George Frederic Watts — lived and worked there, as did for a while Edward Burne-Jones — Leslie Stephen remarked that Hunt only married his second wife, Edith Waugh, because she resembled Julia.

She was his model for the memorial to the young Princess Elizabeth daughter of Charles I , [g] when she was 10 years old, and he created a bust of Julia Jackson that is now at the Charleston Farmhouse , in Sussex.

Throughout her life, she had no lack of admirers. These included the U. Ambassador, Russell Lowell. On 1 February , at the age of 21, Julia became engaged to Herbert Duckworth, a member of the Somerset landed gentry , [i] [40] [41] a graduate of Cambridge University and Lincoln's Inn , [42] and now a barrister and they were married on 4 May at Frant.

The Duckworths lived at 38 Bryanston Square see images of exterior and interiors , Marylebone, London, a townhouse belonging to the Duckworth family, [40] [k] and the following year, their first child was born on 5 March Two other children followed in quick succession.

He was said to be reaching for a fig for her, while they were visiting Julia's sister now Adeline Vaughan at Upton Castle , New Milford, Pembrokeshire , when it ruptured.

Within twenty-four hours, he was dead. Julia and Herbert Duckworth had three children; [4]. Married for only three years, Julia was devastated by her husband's death, lying on his grave at his family home of Orchardleigh , near Frome, Somerset.

She stated that she was no longer "inclined to optimism", but rather taking on a "melancholy view of life", indeed, to her "life seemed a shipwreck The world was clothed in drab shrouded in a crape-veil", [16] [24] but kept herself going for the sake of her children.

And so I got deadened". It was then that she took up nursing the sick and dying to make herself useful, [24] and began studying the agnostic writing of Leslie Stephen.

As Leslie Stephen described it "She became a kind of sister of mercy. Whenever there was trouble, death or illness in her family, the first thing was to send for Julia, whether to comfort survivors or to nurse the patients".

She also resisted her aunt's efforts to persuade her to remarry. Julia had become aware of Leslie Stephen through both his writings on agnosticism, and through a mutual friend, Anne Thackeray Anny, — , the writer and daughter of William Makepeace Thackeray see Stephen family tree.

This was a highly respectable part of London, and Leslie Stephen himself had been born at number 14 later In January , Leslie Stephen decided he was in love with Julia, writing "There was a music running through me Julia was that strange solemn music to which my whole nature seemed to be set".

Julia declined Leslie's offer of marriage and they agreed to remain friends, although developing an intense correspondence. At the time she entertained thoughts of committing herself to a life of chastity and the happiness she envisaged could be found in a convent.

On 5 January , Julia Duckworth and Leslie Stephen became engaged, and on 26 March they were married at Kensington Church , although she spent much of the period in between nursing her uncle, Henry Prinsep, at Watts' house in Freshwater, till he died on 11 February.

After spending several weeks visiting her sister, Virginia, at Eastnor Castle, Leslie and his seven-year-old daughter Laura moved next door to Julia's house at 13 22 Hyde Park Gate see image , where she continued to live for the rest of her life, and the family till her husband's death in Julia, having presented her husband with a child, and now having five children to care for, had decided to limit her family to this.

It was a happy marriage, as Leslie Stephen describes it, a "deep strong current of calm inward happiness". To see her with a baby on her breast was a revelation, and her love grew with their growth".

In the early s Leslie Stephen read Froude 's life of Carlyle Like many of his contemporaries he was shocked to learn how badly he considered Carlyle had treated his wife, Jane Welsh and wondered if anyone would consider his marriage to have the same flaws, [81] and indeed both shared the tendency to be domestic tyrants.

The family had little contact with her after that. Built in the early nineteenth century as one of a row of single family townhouses for the upper middle class, it soon became too small for their expanding family.

At the time of their marriage, it consisted of a basement, two storeys and an attic. In substantial renovations added a new top floor, converted the attic into rooms, and added the first bathroom.

The servants worked "downstairs" in the basement. The ground floor had a drawing room, separated by a curtain from the servant's pantry and a library.

Above this on the first floor were Julia and Leslie's bedrooms. On the next floor were the Duckworth children's rooms, and above them the day and night nurseries of the Stephen children occupied two further floors.

Life in London differed sharply from that in Cornwall, their outdoor activities consisting mainly of walks in nearby Hyde Park, and their daily activities around their lessons.

Leslie Stephen was in the habit of hiking in Cornwall , and in the spring of he came across a house in St Ives , and took out a lease on it that September.

Leslie Stephen, who referred to it as "a pocket-paradise", [99] described it as "The pleasantest of my memories In both London and Cornwall, Julia was perpetually entertaining, and was notorious for her manipulation of her guests' lives, constantly matchmaking in the belief everyone should be married, the domestic equivalence of her philanthropy.

Both at Hyde Park Gate and Talland House, the family mingled with much of the country's literary and artistic circles.

Julia and Leslie Stephen had four children; [4]. Much of what is known about Julia Stephen comes from the viewpoint of her husband, Leslie Stephen, and her daughter, Virginia Woolf, although the latter had only just turned thirteen when her mother died.

Woolf, who stated that "for we think back through our mothers if we are women", [] invoked the image of her mother repeatedly throughout her life in her diary, [] her letters [] and a number of her autobiographical essays, including Reminiscences , [] 22 Hyde Park Gate [] and A Sketch of the Past , [94] frequently evoking her memories with the words "I see her In To The Lighthouse [97] the artist, Lily Briscoe, attempts to paint Mrs Ramsay, a complex character based on Julia Stephen, and repeatedly comments on the fact that she was "astonishingly beautiful".

As the youngest daughter, and last to marry, Julia was her mother's favourite daughter, in part due to her constant care of her mother who had many needs, and little time for maternal affection.

Leslie Stephen writes about Julia "the noblest woman present" in tones of reverence in his Mausoleum Book , [] written for the children after her death.

In that he was reminded of what was written about the Carlyles, and like Thomas Carlyle embarked on memorialising his wife. Woolf drew a sharp distinction between her mother's work and "the mischievous philanthropy which other women practise so complacently and often with such disastrous results".

She describes her degree of sympathy, engagement, judgement and decisiveness, and her sense of both irony and the absurd. She recalls trying to recapture "the clear round voice, or the sight of the beautiful figure, so upright and distinct, in its long shabby cloak, with the head held at a certain angle, so that the eye looked straight out at you".

The girls were educated to a degree at home, while the boys were sent to private boys' boarding schools known as public schools in the UK and then university, as was the custom of the time.

Julia taught the children Latin, French and History, while Leslie taught them mathematics. They also received piano lessons.

Julia dealt with her husband's depressive moods and his need for attention, which created resentment in her children, boosted his self-confidence, nursed her parents in their final illness, and had many commitments outside the home that would eventually wear her down.

Her frequent absences and the demands of her husband instilled a sense of insecurity in her children that had a lasting effect on her daughters.

Leslie Stephen was also prone to bouts of ill health, suffering a breakdown from overwork in — Leslie Stephen describes how his constant self-deprecation, was intended to elicit Julia's sympathy and attention.

She describes it as "boasting of her capacity to surround and protect, there was scarcely a shell of herself left for her to know herself by" [94] At the same time she admired the strengths of her mother's womanly ideals.

Given Julia's frequent absences and commitments, the young Stephen children became increasingly dependent on Stella Duckworth, who emulated her mother's selflessness, as Woolf wrote "Stella was always the beautiful attendant handmaid As Julia confided to her husband, she was especially hard on her eldest daughter because she considered her part of herself.

Julia greatly admired her husband's intellect, and although she knew her own mind, thought little of her own. As Woolf observed "she never belittled her own works, thinking them, if properly discharged, of equal, though other, importance with her husband's".

She believed with certainty in her role as the centre of her activities, and the person who held everything together, [15] with a firm sense of what was important and valuing devotion.

Of the two parents, Julia's "nervous energy dominated the family". These include evidence of sexual abuse of the Stephen girls by their older Duckworth halfbrothers, and by their cousin, James Kenneth Stephen — , at least of Stella.

Julia's grandson, Quentin Bell — describes her as saintly, with a certain gravitas derived from sorrow, playful and tender with her children, sympathetic to the poor and sick or otherwise afflicted, and always called upon at times of need as a ministering angel.

As he adds, "because of this one cannot quite believe in her". Running a large household, in a towering Victorian mansion and with many commitments outside the home necessitated the supervision of the family finances and management of a large number of domestic servants, as would be common then, [] [] and indeed indispensable in such a lifestyle.

On 5 May , Julia died at her home, of heart failure brought on by influenza at the age of She left her husband with four young children aged 11 to 15 her children by her first marriage being adults, although Stella, then 26, took over her mother's duties till she was married two years later [].

Julia was buried on 8 May at Highgate Cemetery , where her husband, daughter Stella and son Thoby were also later interred. Julia Stephens is best known for being a model, not only of Pre-Raphaelite painters, but also her photographer aunt, Julia Margaret Cameron.

Julia Stephen was Julia Margaret Cameron's favourite and most trusted and mutable model, see Gallery II documenting her moods and meditations.

Cameron was fascinated to the degree of obsession by Julia, with over 50 portraits, [ab] more than any other subject.

Julia's legacy is the image Cameron portrayed in her earlier days, the fragile ethereal figure with large soulful eyes and long wild hair.

By placing the subject facing into the light, the photographer illuminates her and suggests a forthcoming enlightenment.

Cameron frequently used a soft focus such as Julia Duckworth plate here. In this her eyes, are downcast and averted from the lens, a more sentimental effect than the dramatic frontal view of My niece Julia full face shown here.

In this portrait, the subject appears to stare assertively at the photographer, as if saying: "I am, like you, my own woman. Again, Cameron draws on another Victorian symbol, this time the tragic heroine whose beauty is consumed in grief.

In addition to her tireless contributions to running the Stephen household, and attending to the needs of her relatives, she worked to support friends and supplicants.

She had a strong sense of social justice , travelling around London by bus, nursing the sick in hospitals and workhouses.

She would later write about her nursing experience in her Notes from Sick Rooms A notable passage is her description of the misery caused by bread crumbs in the bed.

She published a letter of protest on behalf of the inmates at St George's Union Workhouse in Fulham "for giving in to the temperance movement and cutting off the half-pint of beer".

This ration allocated to the pauper women there had been removed at the insistence of the temperance campaigners Pall Mall Gazette , 4 October This was an institution she visited regularly.

She also drew on her experience of ministering to the sick and dying in making these arguments. At home, Virginia Woolf describes how Julia used one side of the drawing room for dispensing advice and consolation, the " angel in the house ".

Julia held firm views on the role of women in society. The novelist Mary Ward — and the Oxford Liberal set collected the names of the most prominent intellectual aristocracy, including Julia's friend Octavia Hill — , and nearly a hundred other women to sign a petition "An Appeal Against Female Suffrage" in Nineteenth Century in June of that year.

This earned her a rebuke from George Meredith, writing facetiously "for it would be to accuse you of the fatuousness of a Liberal Unionist to charge the true Mrs Leslie with this irrational obstructiveness", pretending that the signature must belong to another woman of the same name.

Nor did her views preclude friendship with passionate advocates for women's rights and suffrage, such as the actress Elizabeth Robins.

Robins recalls that her Madonna like face was somewhat misleading "she was a mixture of the Madonna and a woman of the world" [] and that when she came up with something more worldly, it was "so unexpected from that Madonna face, one thought it vicious ".

She defended the hierarchical system of the live-in servants, the need to keep a constant watch over them, and believed a "strong bond" existed between the mistress of the house and those who serve.

Julia Stephen's literary canon consists of a book, a collection of children's stories and a number of unpublished essays.

It was republished in [] and later published in conjunction with Virginia Woolf's On Being Ill in Her stories tended to promote the value of family life and the importance of being kind to animals.

Sometimes, such as in Cat's Meat , they reflect the tensions in Julia's own life. She emerges from these writings as decisive, conservative, and pragmatic, [] with a wit that some considered almost shocking.

We are bound to these sufferers by the tie of sisterhood and while life lasts we will help, soothe, and, if we can, love them.

Pity has no creed, suffering no limits. And shall we, who are not helpers but sufferers, refuse to be helped in our turn by those who differ from us in doctrine but who are one in heart?

Women are not all blind followers of men. They have power to think as well, and they will not weaken their power of helping and loving by fearlessly owning their ignorance when they should be convinced of it Women do not stand on the same ground as men with regard to work, though we are far from allowing that our work is lower or less important than theirs, but we ought and do claim the same equality of morals Julia Stephen was the mother of Bloomsbury.

After Leslie Stephen's death in , 22 Hyde Park Gate was sold and the children moved to 46 Gordon Square , Bloomsbury, where they hung 5 of these on the right hand side of the entrance hall.

Writing to her sister in , Vanessa Bell refers to her wish to "gaze at the most beautiful of Aunt Julia's photographs incessantly". Quentin Bell considers her importance measured not so much in herself as in her influence on others.

Julia Stephen conformed to the Victorian male image of the ideal woman, [] virtuous, beautiful, capable and accommodating, symbolised in Burne-Jones' Annunciation.

Throughout her life, Julia Stephen was a prodigious letter writer, and according to Leslie Stephen, during her mother's lifetime, they "never passed a day apart without exchanging letters", often several.

The intense scrutiny of Virginia Woolf's literary output see Bibliography has inevitably led to speculation as to her mother's influence, including psychoanalytic studies of mother and daughter.

Her memories of her mother are memories of an obsession [] [] and she suffered her first major breakdown on her mother's death in , the loss having a profound lifelong effect.

To Woolf, "Saint Julia" was both a martyr whose perfectionism was intimidating and a source of deprivation, by her absences real and virtual and premature death.

From Wikipedia, the free encyclopedia. Julia Stephen. Stephen by Jacques-Emile Blanche [a]. Herbert Duckworth. Leslie Stephen. The Jackson Family.

Julia Prinsep Jackson , age 14 [39]. Anonymous ; 2, 4 Julia Margaret Cameron. The Duckworth Family. The Stephen Family.

Photograph by Vanessa Bell, in the library; [w] [90] 5. Julia died in May This would be the family's last summer in St Ives. Julia and Leslie Stephen with her children Stella absent, Adrian front row , Gallery I.

Julia Stephen in Art. George Frederic Watts. Gallery II. Julia Margaret Cameron 's photographs of Julia Stephen — My niece Julia full face , April [ ] [23].

My Favorite Picture of all my works, my niece Julia Jackson , [ ]. Upper row: Prior to first marriage Stephen, Julia D. Steele, Elizabeth; Gillespie, Dianne F eds.

Syracuse University Press. Broughton, Panthea Reid English Literature in Transition, Review. Stephen, Mrs Leslie Notes from Sick Rooms.

Stephen, Julia Duckworth []. Notes from sick rooms. Puckerbrush Press. Woolf, Virginia [, ]. Paris Press. The Times Literary Supplement Review. Oram, Richard 17 April Ransom Center Magazine Review.

Ward-Vetrano, Gianna 4 October The Unbearable Bookishness of Blogging Review. Retrieved 9 January Anonymous 11 February Leslie Stephen ".

The Neglected Books Page Review. Cameron, Julia Margaret. New York Macmillan. CS1 maint: date format link , in Stephen Three Generations.

Virginia Woolf in , with chignon , by Beresford. Main article: Virginia Woolf. Ancestors of Julia Stephen 8.

William Jackson [] [6] 4. George Jackson — [] 9. Susannah Dean [] [6] 2. Dr John Jackson — [4] William Howard — [] 5.

Mary Howard — [] Halvorsen Family Tree Web Site. Lorie McAnarney. Halvorsen-Parison Web Site. Julia Christina Fromhold Collection:.

Cool Web Site. Karen Cool. Steffen, Joseph M. Julia Christina Steffen Collection:. Hosinski Family Tree.

Mary Hosinski. Jean Leick. Nicolaus Steffen. Elizabeth Heck. Peter John Steffen. John Joseph Steffen. William Steffen. Mathias Steffen.

He spent c. Dogs Of Berlin Staffel 2 one of these, where they visited her sister now Mary Fisher. Antonia Piersanti. She believed with certainty in her role as the centre of her Neon Bilder, and the person who held everything together, [15] with a firm sense of what was important and valuing devotion. Tony Cotzias Supply Analyst. The Cambridge Companion to the Bloomsbury Group.