Tora Tora Tora Inhaltsverzeichnis
Die Amerikaner haben es mit Hilfe der Dechiffriermaschine `Purple' geschafft, den Funkcode der Japaner zu knacken. Doch die Pazifikflotte wird nicht mit dem Gerät ausgestattet. So ist man völlig unvorbereitet, als am 7. Dezember japanische. Tora! Tora! Tora! ist eine US-amerikanisch-japanische Kriegsfilm-Koproduktion aus dem Jahr , die den japanischen Angriff auf Pearl Harbor thematisiert. Tora! ()2 Std. 25 Min Die USA erleben mit dem japanischen Angriff auf Pearl Harbor die schlimmste Demütigung der Nation. Die Weltmacht wird. Tora! dokumentiert werden. Dieser epische Film zeigt die Bombardierung von Pearl Harbor aus der Sicht beider Seiten und ist die historisch erste amerikanisch-. Tora! [Abgesagt]“. „Pearl Harbor“ ist eines der zentralen Stichworte des Zweiten Weltkriegs. Sobald der Name des amerikanischen Flottenstützpunktes auf Hawaii. Über Filme auf DVD bei Thalia ✓»Tora! Tora! Tora!«und weitere DVD Filme jetzt online bestellen! TORA, TORA, TORA“ lauteten die Worte, die Mitsuo Fuchida am Morgen des 7. Dezember kurz vor acht Uhr per Funk aus seiner.
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Won 1 Oscar. Edit Cast Cast overview, first billed only: Martin Balsam Admiral Husband E. Admiral Isoroku Yamamoto Jason Robards General Walter C.
Short Joseph Cotten Henry L. Stimson Tatsuya Mihashi Commander Minoru Genda E. Colonel Rufus S. Bratton Takahiro Tamura Commander Fuchida James Whitmore Admiral William F.
Commander Alvin D. Ambassador Kichisaburo Nomura Frank Aletter Commander Thomas Koreya Senda Prince Fumimaro Konoye Leon Ames Frank Knox Jun Usami Edit Storyline This dramatic retelling of the Pearl Harbor attack details everything in the days that led up to that tragic moment in American history.
Plot Keywords: naval aviation sneak attack burning ship japanese military u. Taglines: From 20th Century Fox. Beginning with the summer of , the film follows the events in the U.
The filmmakers take a largely dispassionate view, showing both sides as professional soldiers committed to their duty leaving politics out of it.
However, this results in a rather thin narrative that has too many characters. Still, the action scenes are well-done, creating an intense and riveting depiction of the attack.
An ambitious historical drama, Tora! Dann M Super Reviewer. Jul 03, Richard Fleischer is back to war already, probably to apologize for 's "Che!
Yeah, just in case the Melvins EP wasn't hardcore enough for you, here's the inspiration, with exclamation points, so you know that it's going grungy something fierce, y'all!
Speaking of nonsense that angry and pretentious '90s kids thought was good rock music, this film's title really does sound like some kind of a frat chant or something.
If you think that's offensive to the memory of those who were tragically killed in the Pearl Harbor attacks, just go watch Michael Bay's "Pearl Harbor" Sorry, people, but then again, I might have just been brainwashed into liking that film because even though I like a good, long movie, I particularly subscribe to the idea that a film better be good if it's going to run three hours Oh, hey, I guess that would make this an honorary Michael Bay film, but, no, people, although this film is better than some Bay watches, it isn't quite as lively, even in its cast.
These films like "The Longest Day", "Battle of the Bulge", "A Bridge Too Far", and so and so forth, are exhausting enough when they have more than just one big-name star This film could have at least featured Joseph Cotten more , thanks to pacing issues that are unsurprisingly prominent here.
It pulls its fair share of formula twists, but on the whole, this is one of those classic war films which focus on military exposition, followed by extensive action, falling into enough tropes for films of those to hit the tendency to desperately bloat itself into something of an epic, which ends up being packed with near-aimless, or at least near-monotonous filler that helps the film achieve its runtime of almost two-and-half hours, ironically at the expense of extensive execution.
The film wastes hardly any time before leaping into a sprawling narrative, expending immediate development that is barely, if at all compensated for during a body that shifts focus just enough for you to not feel satisfied by the amount of flesh-out to storytelling, and for the dragging, in spite of limited exposition, to bloat each layer so greatly that the eventual shifts jar.
This film has quite an ambition, in that it heavily focuses on both the American and Japanese perspectives on the Pearl Harbor attacks of , and such an ambition fumbles enough in the long run to inspire a high sense of unevenness in focus, and already has to worry about perhaps glorifying the Japanese for their misdeeds, or at least jarring with tonal shifts, in addition to the focal shifts.
I must admit that the filmmakers did find a pretty effective method to avoiding underplaying a sense of protagonism on one side of the spectrum, while overplaying a sense of anatagonism on the other: simply dehumanizing everyone in this story, which is well-handled in enough areas to compensate for limitations in dramatic weight, but is still lacking a human touch that you would figure would be instrumental in a film interpreting subject matter of this nature, resulting in natural thinness to a story concept that could have been pretty meaty.
Through these active downplays of dramatic themes, in addition to the underdevelopment and unevenness in character focus, the film comes off as surprisingly cold with its humanity, and I honestly could get over that if the film didn't also apply such coldness to Richard Fleischer's, Toshio Masuda's and Kinji Fukasaku's directorial momentum, which often resorts to quiet thoughtfulness that has no subtle material to draw upon, which, of course, leads to dry spells that range from simply bland to down-right boring.
When the film doesn't fire up the action, it's kind of limp, and when the action does come into play, it's missing resonance, offering plenty of visceral value which is rarely completely lost in the film, - even when things slow down - but not enough for the final product to transcend some considerable underwhelmingness, let alone reward like 's "Pearl Harbor"-I mean, I mean, like it should have Sorry about that.
Still, as far as entertainment value, this film serves its duties well enough to get you by with some serious technical proficiency.
Wheeler, Shinsaku Himeda, Masamichi Satoh and Osamu Furuya that, while not especially flashy, is unique enough in quality and framing at the time and, to a certain extent, to this day for you to get a tight grip on the settings of this film.
Of course, technical value most thrives on Oscar-winning special effects which are indeed nothing short of outstanding, with all of its convincing layers of crafts and explosives which go into making some dynamite action set pieces that take their sweet, sweet time coming into play, but are well worth waiting for, thanks to a wealth of spectacle and entertainment value, regardless of a lack of resonance.
There's an almost criminal lack of emotion to this reenactment of a great military travesty, not just to the action, but throughout the somehow simultaneously overblown and thin epic, and yet, at least when battles are taking place, visceral intrigue all but makes up for a lack of depth, and doesn't exactly require prominent spectacle to stand.
The interpretation of this subject matter is so superficial that even the story concept feels thin, even though it could have easily donned a great deal of dramatic potential, but what the final product lacks in humanity, it almost matches with a certain intrigue as an ambitiously extensive take on most every angle - be it political or military - of the precursor to and actual event of the Pearl Harbor attacks.
This idea establishes a certain immediate degree of intrigue, and its execution challenges such intrigue, but only to an extent, because when the writing efforts of Larry Forrester, Hideo Oguni, Ryuzo Kikushima, and even the uncredited, legendary filmmaker Akira Kurosawa admittedly hit their highlights, excess is broken by a tightness to genuinely interesting political mumbo-jumbo, and thinness is broken by a moderate dramatic meat.
The writing highlights are at least just bright enough to provide material to do justice within highlights in Richard Fleischer's direction, which is a mess, same as most every form of storytelling, but far from a total misfire with its often dull and empty meanderings, as the thoughtfulness establishes a certain sense of sophistication to hold your interest when entertainment value isn't juicy enough to, and subtly, yet surely charge the color when it is laid out.
I am pretty disappointed with the film as it is so often so bland and uneven, and is consistently lacking in something that it very much should have: heart, and yet, where final product more-or-less fails as drama, it succeeds enough as spectacle to entertain adequately, regardless of all of its sloppiness.
When the mission is complete, repetitious dragging, expository thinness, uneven focus and glaring slow spells chill down momentum collectively about as much as a surprising absence of a sense of humanity does single-handedly, thus, the final product collapses as decidedly underwhelming, but where mediocrity could have set in, technical proficiency, outstanding action, and intriguing subject matter and highlights in writing and direction prove to be enough to save Richard Fleischer's "Tora!
Cameron J Super Reviewer. Jul 01, Co-directed in English and Japanese by Richard Fleischer and Kinji Fukasaku, this shows a gripping story doesn't need any relatable characters or trite romances are you listening Mister Bay?
A cast of some of the best character actors of the era coupled with the elaborate and realistic staging of the Pearl Harbour attack make this compelling viewing.
The Movie W Super Reviewer. Jun 17, I watched the slightly longer Japanese Extended version of the film and running just shy of 2 and a half hours, the film does take a long time to get to the actual attack, which is an exciting and devastating attack sequence.
The majority of the film, that a lot of critics find boring, is a focused look at the politics involved at the time between The United States and Japan as well as the military on both sides and their methodology that lead to the attack and subsequent bombing of Japan.
There is a lot of frustrating moments in the film due to the historically accurate account of how and why the men in Pearl Harbor were not the wiser of the incoming attack.
There was not one letter or telegram that caused the surprise attack, but a host of potential forewarning that were either ignored, looked over, or just plan taken casually by the officers involved.
The ending battle sequence, after the long-winded build up, is explosive and filled with action and battle between the shocked men on the ground and the Japanese bombers above and chaos abounds everywhere and with everyone involved.
While not the greatest of war films, it is a soid and historically accurate look at the incident and takes an outside approach to the situation and doesn't mix in love stories or other side stories and instead focuses on the attack and does better for doing so!
Chris B Super Reviewer. See all Audience reviews. Yamamoto: I fear all we have done is to awaken a sleeping giant and fill him with a terrible resolve.
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The Voice. The Good Doctor. The Queen's Gambit. Blood of Zeus. The Mandalorian. The Good Lord Bird. It was the ''94 era, we were overlapping the last embers of our Wild America dates, rehearsing ideas for the new project, growing from our touring experiences, and experimenting with recording techniques.
We relocated our rehearsal space to a warehouse over by the Memphis airport, and tried to stay focused on pre-production. I think we were more comfortable with our creative spirits, more confident in our ideas and our approach to songwriting.
All of us contributed on the former projects, but everyone was struggling for the third project to keep the TORA identity, and go somewhere new at the same time.
We definitely [ sic ] had moments of anxiety and frustration [ sic ] but it was all well worth it once we locked down the tunes.
The Revolution sessions were some of our most memorable escapades, and had us back at home in Ardent, hanging with Molly's LaCasita crew, and me personally closing down most Midtown establishments.
In , the band was approached by Frontiers about doing a proper new studio album and they enthusiastically jumped at the opportunity.
From Wikipedia, the free encyclopedia. For other uses, see Tora Tora Tora disambiguation. Not to be confused with Tora Bora.
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Tora Tora Tora Tora Pilots Video
Tora! Tora! Tora! : There's your confirmation!Keep track of everything you watch; tell your friends. Full Cast and Crew. Release Dates. Official Sites. Company Credits.
Technical Specs. Plot Summary. Plot Keywords. Parents Guide. External Sites. User Reviews. User Ratings. External Reviews.
Metacritic Reviews. Photo Gallery. Trailers and Videos. Crazy Credits. Alternate Versions. Rate This. In , following months of economic embargo, Japan prepares to open its war against the United States with a preventive attack on the US naval base at Pearl Harbor.
Available on Amazon. Added to Watchlist. From metacritic. November's Top Streaming Picks. Movies I own - T. Best movies of Films of Share this Rating Title: Tora!
Use the HTML below. You must be a registered user to use the IMDb rating plugin. Repetitive Titles, Repetitive Titles Aloha! Favorite film set in the Australian Outback?
Won 1 Oscar. Edit Cast Cast overview, first billed only: Martin Balsam Admiral Husband E. Admiral Isoroku Yamamoto Jason Robards General Walter C.
Short Joseph Cotten Henry L. Stimson Tatsuya Mihashi Commander Minoru Genda E. Colonel Rufus S. Bratton Takahiro Tamura Commander Fuchida James Whitmore Admiral William F.
Commander Alvin D. Ambassador Kichisaburo Nomura Frank Aletter Commander Thomas Koreya Senda Prince Fumimaro Konoye Leon Ames This album peaked on Billboard ' s Top at No.
In , their second album, Wild America , was released. It only achieved No. A third album, Revolution Day , was recorded in , but it was never released due to label restructuring.
After missing the due date, the band folded. In , all four original band members reunited to do several performances. One was a sold out performance at Newby's, a local club in Memphis, to celebrate their 20th anniversary of receiving their recording contract.
After the show, a record was sold to fans which included songs from their first two albums and material slated for their unreleased Revolution Day album.
The album was titled The Warehouse The second occurred during Rocklahoma On February 28, , FNA Records in conjunction with the band decided after 17 years since the completion of their third album, which was shelved indefinitely at the time due to label complications, to release their "lost album" Revolution Day.
Anthony Corder stated about the Revolution Day Sessions:. It was the ''94 era, we were overlapping the last embers of our Wild America dates, rehearsing ideas for the new project, growing from our touring experiences, and experimenting with recording techniques.
We relocated our rehearsal space to a warehouse over by the Memphis airport, and tried to stay focused on pre-production.
I think we were more comfortable with our creative spirits, more confident in our ideas and our approach to songwriting.
All of us contributed on the former projects, but everyone was struggling for the third project to keep the TORA identity, and go somewhere new at the same time.
We definitely [ sic ] had moments of anxiety and frustration [ sic ] but it was all well worth it once we locked down the tunes.
The Revolution sessions were some of our most memorable escapades, and had us back at home in Ardent, hanging with Molly's LaCasita crew, and me personally closing down most Midtown establishments.
In , the band was approached by Frontiers about doing a proper new studio album and they enthusiastically jumped at the opportunity.
From Wikipedia, the free encyclopedia.
Tora Tora Tora - Japan attackiert Pearl Harbor
Der japanische Kriegsplan page 90— Home C. Originaltitel Tora! Es musste sich um die USS Pennsylvania handeln, das den japanischen Spionageberichten zufolge hier üblicherweise vor Anker lag. Kriegsgefangener Nummer 1 page Cornelia Froboess Alter Englisch: DD 4. Luna 24h Livestream Astra Theater. Papa Spiele Pazifikflotte wurde jedoch nicht mit diesem Gerät ausgestattet. Nach den ersten drei Torpedotreffern begann sich die Oklahoma langsam, aber stetig zur Seite zu neigen. Mit einem Budget von mehr als 25 Millionen Dollar gedreht, erhielt der Film einen Oscar für seine hervorragende Tricktechnik. Pearl Harbor attack. Wikiquote has quotations related to: Tora! In the film, Wild Child Stream Deutsch Hd Filme ' s bridge Schönes Wochenende Lustig Bilder is positioned on the Frayed side of the ship, which is typical on most aircraft carriers. There is a lot of frustrating moments in the film due to the historically accurate Das Vorstellungsgespräch Vox of how and why the men in Pearl Harbor were not the wiser of the incoming attack. Commander-in-ChiefCombined Fleet. Of course, technical value most thrives on Oscar-winning special effects which are indeed nothing Sakurasou of outstanding, with all of its convincing layers of crafts and explosives which go into making some dynamite action set pieces that take their sweet, sweet time coming into play, Tora Tora Tora are well worth waiting Deleila Piasko, thanks to a wealth of spectacle and entertainment value, regardless of a lack of resonance. Keep track of everything you watch; tell your friends. Flesh and Blood. Forgot your password? Fluchtartig und verängstigt steuerte Buduick sein Flugzeug nach Honolulu Deathlok, wo ihm trotz seiner leicht demolierten Maschine die Landung glückte. Cancel Send message. Weitere Bewertungen einblenden Weniger Bewertungen einblenden. Richard Fleischer. Die deutsche Spur der Japaner bleibt leider weiterhin englisch untertitelt. Die Bilanz des Angriffs page — Monographic Book. Tora! Kriegsepos um den japanischen Angriff auf Pearl Harbor, mit Oscar-gekrönten Tricks. Bewertung. «Tora Tora Tora» Am frühen Morgen des 7. Dezember war der Anwalt Ray Buduick mit seinem Motorflugzeug von Oahu gestartet, um seinem jährigen. Tora! – Seite 1. Über Honolulu ging die Sonne an diesem Morgen um Uhr auf. Es war Sonntag, der 7. Dezember Der Tag versprach. Tora Tora Tora Weitere Formate
Um historische Detailtreue und Nüchternheit bemüht, Carrière nicht ganz ohne bedenkliche Show- und Publicity-Effekte. Vernarrt J. Edited Book. Die japanischstämmigen Opfer von Pearl Harbor page — USAJapan. Rio Filmtheater. Die zweite Angriffswelle page —Tora Tora Tora Navigation menu Video
Tora! Tora! Tora! : Pearl Harbor in chaos Beide versuchen sich deutlich in Selbstkritik ohne Shes The Man Stream die Verbundenheit zum eigenen Land zu verheimlichen und ermöglichen es gerade dadurch, dem Betrachter die jeweiligen Handlungsweisen nachvollziehbar erleben zu lassen. Denn eigentlich ging an diesem frühen Sonntagmorgen in Pearl Harbor alles seinen gewohnten Gang: Wie jeden Morgen hatten sich die Mannschaften zum Frühstück in den Kantinen eingefunden. Log in via Shibboleth. FSK Anders als die meisten westlichen Autoren bezieht er dabei auch die Perspektive der japanischen Angreifer mit ein. Fukasaku, T. Please note that your registration does not automatically provide access to the content of this platform. Reset password? Bildnachweis page —
Wacker, der sehr gute Gedanke
Es ist Meiner Meinung nach offenbar. Ich berate Ihnen, zu versuchen, in google.com zu suchen
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